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HERITAGE

The McLeod Collection

The images shown here represent just a sample of the photographs, documents and artifacts accumulated by the McLeod family, who farmed in Chinguacousy township (now part of the Town of Caledon) for several generations. Through the generosity of the family, this significant collection was given to the Peel Heritage Complex in 2010.

Please stand by while images load.
  • Campbell’s Cross, c. 1915. Now a hamlet in the Town of Caledon, Campbell’s Cross was a thriving village. Originally a church, this building was later used as a community hall and the gathering place for the local Loyal Orange Lodge, a fraternal organization popular in this part of Ontario at the time.
  • Campbell’s Cross, c. 1915. Ceasar's store and post office on the southwest corner of what is now King Street and Kennedy Road.
  • Campbell’s Cross, c. 1915. Bee hives can be seen to the side of this farmhouse. The house is still standing on King Street, west of Kennedy Road in Caledon.
  • Chinguacousy Township, c. 1915. Peter McLeod (Robert’s father) removes a tray from a bee hive.
  • Chinguacousy Township, c. 1915. Honey from the apiary was sold locally.
  • Chinguacousy Township barn raising, c. 1900. Barns were constructed to house livestock in the bottom, and hay in the upper area. What you can see in this image is the placement of a wall section. Once in place, the timbers would be secured by large wooden pengs, driven by hand. Boards would then cover the timber frame to complete the barn.
  • Chinguacousy Township, c. 1915. It’s hard to believe this is the road many commuters now use daily as Highway 10, or Hurontario Street.
  • Chinguacousy Township, c. 1915. Unidentified man cutting a field of grain. Not a great image from a technical perspective, but fun to view because the family dog stuck his head into the shot.
  • Chinguacousy Township, c. 1915. McLeod climbed to the top of the barn to take this image of his homestead in summer.
  • Chinguacousy Township, c. 1915. McLeod climbed to the top of the barn to take this image of his homestead in winter.
  • Chinguacousy Township, c. 1915. A summer view of the lane in to the McLeod homestead from Hurontario Street, taken from the top of the barn.
  • Chinguacousy Township, c. 1915. A winter view of the lane in the McLeod homestead from Hurontario Street. The trees were planted as a windbreak so the snow would drift before it filled in the lane.
  • Chinguacousy Township, c. 1915. Long view of the McLeod farm. Hurontario Street runs south, on the far right of the photo.
  • Ice storage, Chinguacousy Township, c. 1915. In this image you can see Peter McLeod with a large block of ice on a sleigh. Ice, cut from ponds or rivers, would be packed in sawdust and stored in ice houses. Pieces of ice would be cut from the big block and brought inside to sit (and melt) in ice-boxes, the equivalent of refrigerators. Interestingly enough, the ice from the ice house usually lasted well into the summer.
  • Chinguacousy Township, c. 1915. The McLeod family in their dining room. Photographs from this period taken inside are rarely sharp due to the long exposure time required.
  • Chinguacousy Township, c. 1915. Marjorie McLeod, possibly with baby brother Gordon.
  • Chinguacousy Township, c. 1915. Marjorie McLeod grew up to be a proficient amateur photographer.
  • Chinguacousy Township, c. 1915. Outdoor photograph of McLeod family members.
  • Chinguacousy Township, c. 1915. Relative Florence McEachrin of Toronto visits young Marjorie.
  • Chinguacousy Township, c. 1915. Family members pose outdoors. In the era before flash bulbs or electronic flash, the best lighting was always found outdoors.
  • Chinguacousy Township, c. 1915. Peter McLeod and John MacDonald play checkers, on a board which has since been donated to the museum.

Photography in the dry plate era:
1870 - 1920

These images taken by Robert Carter McLeod (1885-1969) represent an interesting era in photography. From about 1870 to 1920, many photographers used fragile glass negatives to capture images of daily life.

These glass negatives were called dry plates. A box of plates, factory-coated with a gelatin emulsion of silver bromide, were available in this area through mail order or at stores in large villages such as Brampton. The photographer loaded one negative at a time into the camera, made the exposure, and stored the negative until he or she developed it in a home darkroom.

Dry plates became available in the 1870s, and were very popular around the turn of the last century. When properly exposed, the large negative size created very detailed prints. The downside was the fragility of the glass. If the negatives were dropped, they were destroyed. Variations in the chemical processing of the negatives show up as flaws in the prints, particularly around the margins.

Roll film was invented at the same time, and by the 1920s it had taken over dry plates in popularity. Photographers loved the fact that they didn’t have to load each negative, and cameras became increasingly light and portable. Specialized use of dry plates in areas such as medical technology continued until the 1950s.

 

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Revised: Thursday January 20 2011

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