PAMA virtual exhibit
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Featured exhibits

Power Play: Hockey in Contemporary Art

Take a 360-degree tour of an exhibition.

Life is beautiful

Memoirs of people living with dementia.

Peel Time Capsule

Stories and images that reflect the social, cultural, or economic impacts of COVID-19 across Peel.

Botanica Colossi

A collection of photographs from Sara Angelucci’s recent Nocturnal Botanical Ontario series, which were created between the spring and fall of 2020.

Inspiring stories of Women in the PAMA collections

Many of their stories have faded from the public’s memory. We hope to change that.

Stories of Service and Sacrifice

Those who served, and their friends and families at home.

Art Voice: Expressions from youth in Peel

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Simon Hughes 360° virtual tour

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Home: Expressions in Abstraction

Grade 11 students from Mayfield Secondary School's Regional Arts Program interpret the theme of home in an abstract painting.

Morphology

Witness the transformation of Mississauga's lakeview waterfront.

Our Voices, Our Journeys: Black Communities in Peel

A celebration of one of many black communities in Peel.

A Newcomer Journey

Storytelling through Photography

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PAMA virtual exhibit
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  • Explore PAMA

Mary Evelyn Wrinch (1877-1969)

Artist

Born in Essex, England, Mary Wrinch immigrated to Canada with her mother when she was eight following her father’s death. She had an extensive education in art that included studies at the Central Ontario School of Art (now OCADU) in Toronto, the Grosvenor School of Art in London, and the Art Student’s League in New York.

Despite her travels, Wrinch kept a studio in Toronto and was well connected to that art scene. Her early career is noted for miniature portraits, which allowed her to earn a living as an artist; this was uncommon for women at the time. She cleverly marketed her work so that people knew that they were being painted from life, which helped to set her work apart.

After 1928, she turned to printmaking, where she experimented with design and later colour using the cut linoleum method. PAMA’s collection has both types of her prints, including her earlier black and white and the later coloured prints.

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Mary Wrinch Reid, 1930. Archives of Ontario, M. O. Hammond fonds.

Spruce Tree on a Grey Day
n.d. linocut on paper, 13/100, 25 x 30.5 cm
ART1996.030.014.
Gift of Brian Ayer,
1996 - Peel Art Gallery, Museum and Archives.

Sparrows
n.d. linocut on paper 8.9 x 7 cm
ART1996.030.013.
Gift of Brian Ayer,
1996 - Peel Art Gallery, Museum and Archives.

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© Peel Art Gallery Museum and Archives